Nicolas Poussin, Et in Arcadia Ego

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Nicolas Poussin, Et in Arcadia Ego발음듣기

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(music) ("In The Sky With Diamonds" by Scalding Lucy) Steven: We're in the Louvre and we're looking at a Nicholas Poussin, Et in Arcadia Ego. We have four figures.발음듣기

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We see ancient shepherds and a very Classical female figure.발음듣기

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Beth: Clearly based on ancient Greek and Roman sculpture, as are all the figures, actually.발음듣기

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And that treatment of the drapery that looks back to ancient Greece and the Classical period.발음듣기

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Steven: Right in the center, the largest, most dominant form is a tomb.발음듣기

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This huge solid block of masonry.발음듣기

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Beth: And a figure who's pointing at it and looks back at the female figure, almost alarmed at what they're reading.발음듣기

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Steven: There's a little ambiguity.발음듣기

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Is it possible they're having difficulty reading?발음듣기

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Do they not know this language?발음듣기

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Or you're right, are they disturbed by the message?발음듣기

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Beth: "I too am in Arcadia" meaning even death is in Arcadia.발음듣기

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The landscape has a setting sun.발음듣기

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There's a strong shadow on the tomb cast by the kneeling figure and there's a real sense of a poetic passage of time.발음듣기

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Steven: That initial time is important.발음듣기

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If you look at the tomb, it's not new.발음듣기

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Although it's stone, it's been harmed over time and we get a sense that it is even more ancient than these ancient people.발음듣기

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This is a bridge back in time.발음듣기

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Poussin was so interested in the archaeology of the past.발음듣기

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Steven: Resurrecting it through color, through form, through style and through subject.발음듣기

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Beth: One gets a sense that in looking back by Poussin to ancient Greek and Roman culture, he must have had a sense of ...발음듣기

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Steven: Longing for the past.발음듣기

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Beth: And also a sense of the transience of human life and of what human being make.발음듣기

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Steven: In a sense, the power of art to transcend time this way, both in terms of what's represented, this tomb as a kind of art.발음듣기

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But then also, of course, this painting itself.발음듣기

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